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Witch Hammer
Witch Hammer Read online
Table of Contents
A Selection of Recent Titles by M. J. Trow
Title Page
Copyright
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
A Selection of Recent Titles by M. J. Trow
The Inspector Lestrade Series
LESTRADE AND THE SAWDUST RING
LESTRADE AND THE MIRROR OF MURDER
LESTRADE AND THE KISS OF HORUS
LESTRADE AND THE DEVIL’S OWN
The Peter Maxwell Series
MAXWELL’S CHAIN
MAXWELL’S REVENGE
MAXWELL’S RETIREMENT
MAXWELL’S ISLAND
The Kit Marlowe Series
DARK ENTRY *
SILENT COURT *
WITCH HAMMER *
* available from Severn House
WITCH HAMMER
M. J. Trow
This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.
First world edition published 2012
in Great Britain and in the USA by
Crème de la Crime, an imprint of
SEVERN HOUSE PUBLISHERS LTD of
9–15 High Street, Sutton, Surrey, England, SM1 1DF.
Copyright © 2012 by M. J. Trow and Maryanne Coleman
All rights reserved.
The moral right of the author has been asserted.
British Library Cataloguing in Publication Data
Trow, M. J.
Witch hammer.
1. Marlowe, Christopher, 1564-1593–Fiction. 2. Great
Britain–History–Elizabeth, 1558-1603–Fiction.
3. Detective and mystery stories.
I. Title
823.9’2-dc23
ISBN-13: 978-1-78010-302-0 (epub)
ISBN-13: 978-1-78029-029-4 (cased)
ISBN-13: 978-1-78029-530-5 (trade paper)
Except where actual historical events and characters are being described for the storyline of this novel, all situations in this publication are fictitious and any resemblance to living persons is purely coincidental.
This ebook produced by
Palimpsest Book Production Limited,
Falkirk, Stirlingshire, Scotland.
ONE
As his horse splashed along the lane, Kit Marlowe, late Scholar of Corpus Christi College, Cambridge, late intelligencer, late . . . he was in the mood to call all his life so far late; all his twenty-one summers. He was riding to London; he was sure he was this time. It was where all men, old or young, went to secure their fortunes for the streets were paved with gold. He could hear the city calling, a siren call he knew, but not one he could ignore any longer. He had a play in his knapsack, the words so clear still in his mind that he could almost feel the last lines on the last page pressing backwards into his skin, through canvas, leather, silk and wool. ‘This shall I do, that gods and men may pity this, my death, and rue our ends, senseless of life or breath.’ He could feel the weals rising up on his back as if the still-hot ink frazzled into his hide. He shook himself slightly to dispel the feeling of the black dog over his shoulder and the rain sprang off his curls like sparks. The horse trotted two paces at the unaccustomed movement from the man on his back and then returned to the plashing amble it had been in for many miles.
There was water everywhere. It scarcely seemed like rain but more as if the air had turned to water. Some summer. Occasionally a vicious little wind sprang up and gusted it into stinging lashes, but otherwise all was much the same; wet, wetter, wettest. The horse gave a snicker and shook its head as a rivulet of rain grew big enough on its harness to run off the oiled leather and down into its eye. Huge drops flew up and hit Marlowe in the face, smelling of wet horse, bran and a warm stable hours ago.
‘I’ve had enough of this, haven’t you?’ Marlowe asked the horse. It wasn’t like him as a rule to talk to animals, just in case this was the day one of them chose to reply, but neither was it his custom to go for so many hours without uttering a word to a living soul. This going out on the road was all very fine and well, but it was a lonely game at the best of times and in this vile weather there had not even been a casual passer-by with whom to exchange a word. He had seen harvest men across the fields earlier in the day, looking at the corn bowing in the rain and shaking their heads in disbelief, but they were too lost in their own troubles to notice him.
Marlowe’s mother always told him he had a lovely face and because she was his mother he naturally did not believe her, but in one respect she was right. Although his heart was at best a shade of grey, what showed on the outside was only the good and he had never had to travel far without being offered food and drink, shelter and often more by people he met along the way. But all souls but his were tucked up warm and dry in this downpour which seemed to be sent from Heaven by a wrathful God. Marlowe was not a God-fearing man himself, but he had seen what others believed and was not keen to be out and about if the Flood was coming. He needed to be near other people; experience had taught him that with his luck, one of those people would have a boat. At the moment, any shelter would do him. The horse would have to fend for himself.
He remembered tales his grandfather had told, about sheltering under his horse in wet weather out in the fields of Kent. It had never sounded a very efficient way to keep dry and downright dangerous when you gave sober thought to what went on under a horse, even leaving the hoofs out of the calculation. He also reminded himself that, as far as he knew, his grandfather had never knowingly chosen to spend time outside, even in clement weather, so he had to assume that the anecdote fell into the category of something the old man had once heard. Dover was like that, full of travellers, with tales taller than the houses. Since one of his grandfather’s other anecdotes featured a talking pig very prominently, he decided not to try sheltering under his horse. He needed a cottage, for preference one with a barn for the poor creature to dry off in, but anything would do, any old port in a storm. A wagon, a lean-to, however mean and full of sheep. His grandfather had had tales about sheep too, but when they began the children were usually shooed out of the room.
The horse snickered again and blew down its nose, shaking its head and spraying Marlowe once more with greasy water droplets. Over the roar of the rain, man and mount heard a horse snort in reply. It sounded near, as far as the scholar could tell, and Marlowe stood in the stirrups and looked over the hedge. Indistinct in the downpour, there were three wagons, hitched in the lee of the bank, their horses still in the shafts and standing, heads down, as the water poured over their backs. Marlowe patted the horse and in doing so soaked the palm of his leather gauntlet, so far dry around the reins. Muttering, he slid from the animal’s back and led him through a gap in the hedge, tethering him next to the lead horse and slipping under the wagon it had been pulling. It was hardly the driest place he had ever been in, but at least the ceaseless drummi
ng of rain on his head had stopped and his ears seemed to ring with silence.
He wriggled out of his knapsack, and delved into it for a handkerchief to dry around his neck and the hair around his face, which he pushed back behind his ears. He dried his hands and spread the cloth optimistically out across the top of the bag and leaned against a box which was under the cart, pressed against the axle. The rain was coming from the other direction so by and large his little nest was dry and he settled back, arms down by his sides to let the front of his doublet dry out a little and thought he might try to have a few minutes’ sleep, hopefully to wake to sunny skies and drier weather for the rest of his journey. He closed his eyes and prepared to drift off.
‘When shall we two meet again?’ a voice said, just by his ear, making him jump in his half sleep.
‘Hmm, yes, yes, that’s not too bad,’ another voice spoke, further away. ‘Not very threatening though, perhaps?’
Marlowe eased himself to a more alert position. He knew those voices; he just needed a second or two to work out where from.
The younger was the nearer. ‘When shall we two meet again?’ he said. ‘In . . . the town or in the lane?’
‘Dreadful,’ said the other. ‘Dreadful. The audience will walk out.’ He sighed. ‘Just like they have been doing lately, Thomas, I have to admit.’
Marlowe smothered a laugh. He knew now where he had heard those voices before. Ned Sledd, actor, manager and entrepreneur extraordinaire and Thomas, the pretty boy who played all the women’s parts, while his voice held and his beard had not come through. These carts must be their travelling company, their glamour rather hidden by the thundering rain. Lord Strange’s Men on the road, bringing their special magic to the dull lives of country folk. Marlowe crept forward, so he could see over the box he had been leaning against. He could just see the very top of Thomas’s blond head, but Ned Sledd was facing him, appearing to look him in the eye, although he clearly had no idea that he was there.
‘They all love witches, though, Ned,’ Thomas said. ‘They like a good scare. Especially the ladies.’
‘Oh, yes,’ Sledd said, his voice heavy with sarcasm. ‘We mustn’t forget a little something for the ladies. I seem to remember you said that when you helped me with the last play.’ He glared at the boy, not speaking.
Thomas gathered his pride about him like a tattered cloak. ‘A maid I had been seeing told me . . .’
‘Just seeing, Thomas, I hope,’ Sledd cut in. He reached forward and Thomas gave a small shriek. ‘We have to think of the balls, Thomas, the voice and the balls.’
‘I’ll have to stop doing the girls’ parts eventually,’ Thomas said, his voice rising in hope. ‘Staying away from girls won’t change that. It’s an old wives’ tale, that is.’
‘Well, let’s not tempt fate.’ Sledd looked up at the underside of the cart, but in his imagination into the eyes of the Muse. ‘When shall we two meet again?’ he intoned. ‘In the town or in the lane. Make sure that you are not late. That way we will tempt not fate . . .’ He looked hopefully at Thomas. ‘That’s better, don’t you think? Coming on?’
Marlowe could stand the suspense no longer. Without showing himself and dropping his voice to an eldritch whisper, he said, ‘When shall we three meet again? In thunder, lightning, or in rain? When the hurly-burly’s done, when the battle’s lost and won, that will be by set of sun.’
Looking through the gap over the box, he saw Sledd’s face change, through horror to realization.
‘Kit!’ the man yelled. ‘Where did you spring from? Thomas!’ he aimed a kick in the boy’s general direction. ‘It’s Kit!’
‘Yes,’ said Thomas, in the lacklustre tone of someone who sees his playwriting days are over. ‘Kit. But what about . . .’
But Ned Sledd was shoving the box aside and enveloping Kit Marlowe, playwright and saviour of Lord Strange’s Men, in a bear hug.
‘Ned?’ The voice sounded puzzled and not a little worried. ‘Ned? Where are you?’
‘Under here, Edward. Under the wagon. Come in, quick, out of the rain.’
‘Rain? How long have you been under there? The rain stopped hours ago.’
Sledd looked up from the manuscript he was reading, squinting in the half light. ‘Stopped?’ He peered out at the sky, an innocent blue without even a fluffy white cloud to spoil its perfection. ‘I didn’t even notice. Kit?’ He turned his head to where the playwright had been, but there was no one there. ‘Kit was here. Have you seen him?’
‘He’s over by the main wagon. Ferdinando is here. They’re talking . . .’
Sledd was out from under the wagon in one fluid movement, adjusting his laces which he had loosened for comfort. He shoved the papers he had been reading into the actor’s hands and pulled madly at the trailing cords. ‘For the Lord’s Sake, Alleyn, do none of you listen to what I say?’ Edward Alleyn never tired of telling everybody that he was the greatest actor ever to stand in the wooden O of London’s new theatres. There would never be another like him. Listen to Ned Sledd? Hell would have to freeze over first.
‘Often,’ the actor said, all hurt and innocence. ‘There’s a lot to listen to, Ned; you don’t mind if I say that, I’m sure.’
‘Droll, Edward, droll. Don’t let me forget to cast you as the fool in the next production. Take care of those sheets, by the way. It’s a new version of Dido.’
‘New version of . . .’
‘I accidentally burned it last time. So take care of it. A mighty line. A mighty line.’ He sighed for the beauty of all he had just read, quoting softly as though rehearsing for the part, ‘What can my tears or cries prevail me now? Dido is dead.’ With a final tug on a recalcitrant lace, Sledd was off at a trot. ‘And don’t call Lord Strange Ferdinando, please. It’s Lord Strange, to you, sonny. Sire, things of that nature. You do realize his father’s great uncle was His Majesty King Henry VII and his mother the daughter of the niece of His Other Majesty, King Henry VIII?’
‘As you wish,’ Alleyn said, who had realized nothing of the sort. He wandered off, reading as he splashed through the steaming puddles in his path. ‘Dido, eh?’ he muttered. ‘Fool, indeed!’ He read more and his left arm started to wave about of its own volition, as he tried the rolling lines out in his head. This was good stuff. It made sense and it rhymed; was he reading it right? Five beats to the bar? Excited and not a little alarmed by the shock of the new, the actor wandered off down the lane, the towers of Troy burning in his mind.
Sledd slowed from his half-hysterical crouching run as he approached the small group over by the biggest wagon and raised his voice in greeting as he did so. ‘Lord Strange!’ he declaimed, bowing as he walked. Ferdinando Stanley was not a large man but he had the presence of all the Derbys who had ruled the bitter North for so long. His dark hair cascaded over his shoulders and his curls made twisted patterns against the white of the square cut collar he habitually wore.
‘By our Lady, Sledd,’ his patron said. ‘Have you hurt yourself, man? Whatever is the matter with your back?’
Sledd paused. Here was a quandary and a half. ‘A passing malady, My Lord,’ he said. ‘I was too long crouching under the wagon, sheltering from the rain. I will be well presently.’
‘Sit down, man,’ Strange said. ‘You make me feel quite unwell looking at you listing like that.’ The man looked around him. ‘Is there a chair for Master Sledd?’
None of the actors moved. Sledd was their manager and their meal ticket, but most of them held him in friendly contempt. He had never been a good actor and now that Strange’s gold had come on the scene, men who knew how to wring the meaning out of a line were joining the company and making him look worse than ever. Even Thomas, who relied on his pretty beardless face and fluting voice for parts, even Thomas could give him a run for his money.
‘Well?’ Ferdinando Stanley, Lord Strange, related to so many kings, was not used to being ignored.
‘Sorry, My Lord.’ One of the bit-part actors pushed forward a chest.
/> ‘That’s better. Now, be off with you, lads, and rehearse, or whatever it is you actors do.’ They stood around, looking uncertain. They had the odd practice if anyone remembered, but otherwise they just went on stage with a hazy notion of the story to be told and with any luck the play staggered to its conclusion without anyone being brained by a flying vegetable. But Lord Strange was, after all, the man with the fat purse, so they took themselves off in as purposeful a way as they could.
Strange turned back to Sledd and Marlowe. Sledd was sitting at attention on his crate, Marlowe was at ease on the throne that Sledd managed to bring in to every production, usually as his seat as the King, Duke or other authority figure he played every time. He felt mildly annoyed that Marlowe had commandeered it, but on the other hand was anxious that the newly reborn Dido, Queen of Carthage, should not slip through his hands again, so kept quiet.
Strange spread his hands to the men. ‘Ned,’ he said, ‘Master Marlowe here has been telling me of his new play. It sounds exciting. May I read it?’
‘Of course, My Lord,’ Sledd said, smiling.
‘Where is it, Ned?’ Marlowe spoke for the first time.
‘Hmm?’ Sledd looked at him with a rather frantic expression on his face. ‘Where’s what?’
‘Dido, Queen of Carthage. You were reading it under the wagon.’
‘I was indeed.’ Sledd played for time. ‘And a very good read it is too. Better than the first draft, if I may say so.’
‘Thank you very much, Ned,’ said Marlowe, leaning forward. ‘Where is it?’
Sledd looked around, as if it might possibly appear in a puff of smoke, just as the Devil was meant to do in The Devil and Mistress Maguire – he was finding it difficult to get the right amount of gunpowder calculated though and so it didn’t often work. His mind wandered off at a tangent, as it so often did these days.
‘Sledd!’ Strange had a way of speaking which made all of Sledd’s nerves stand on end, with the hint of the Derbyshire dialect coming through as it always did when he was angry. ‘The play!’